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Gallery

Zorro, Sunday morning

How do heroes rest on Sunday mornings? They go out to the balcony😊

100.0 x 80.0 cm / 39.4 x 31.5 in. November 2022.

Mixed media and techniques (oil, oil pastel, grattage)


Gedimino Bo

Just a classic look, but why not? I wanted to try and have the one in my collection. Painted a la prima, in 3 hours. I was inspired by the British show Landscape Artist of the Year

100.0 x 80.0 cm / 39.4 x 31.5 in. November 2022.

Oil on canvas


Abra kadabra

Fragments: cell pour technique

100.0 x 80.0 cm / 39.4 x 31.5 in. November 2022.

Mixed technique (acrylic, plasticine) on canvas


Greek Etudes #3

An attempt to convey movement on a static background: the mountains and the sky are calm. But here is an airplane in the air. Our mind “reads” the airplane as “moving”, and the picture comes alive and statically dynamic.

100.0 x 80.0 cm / 39.4 x 31.5 in. November 2022.

Oil on canvas


Empty..y..y..

I guess, figurative art is more my direction, but people like this particular painting. It’s true, I didn’t just paint it, but a lot of emotions and experiences were put into each stroke. And in the upper right corner – a fragment of my cardiogram for that day. Almost a documentary!

100.0 x 80.0 cm / 39.4 x 31.5 in. November 2022.

Oil on canvas


Greek Etudes #1

The windows are disproportionate, one small and the other larger. It’s an Alice in Wonderland tale where she is or too big, or too small to get into the wonderful garden. I wanted to convey the movement in a static background: walls, windows, the flowers of the tree, but we feel the breeze in the leaves of the plant. Easy, easy going…

100.0 x 80.0 cm / 39.4 x 31.5 in. October 2022.

Oil on canvas


Find the donkey

A donkey in its meadow, and a pack of crisps.

On a sunny day, when everyone goes to Nature to “relax”, more rubbish appears in Nature, and only the Donkey knows their faces…

100.0 x 80.0 cm / 39.4 x 31.5 in. October 2022.

Oil on canvas


Beginning of the dating

What are those balls? Taken from biology, let’s remember me-io-sis

70.0 x 70.0 cm / 27.6 x 27.6 in. October 2022.

Mixed media (acrylic, collage, oil pastel) on black canvas


Where are we, where are you

Beautiful, but at the same time, peculiar experiences of the present. We are beautiful, and here we are. But where are you, our baby?

Pointillism / divisionism technique

70.0 x 70.0 cm / 27.6 x 27.6 in. October 2022.

Mixed media (acrylic, collage, oil pastel, oil) on black canvas


Supporting still life

40.0 x 40.0 cm / 15.7 x 15.7 in. September 2022.

Oil on canvas


Still life #1

50.0 x 70.0 cm / 19.7 x 27.6 in. September 2022.

Oil on canvas


Greek Etudes #2

Do you remember the masterpiece by George Seurat “A Sunday Afternoon on the Island of La Grande Jatte”? The current story reminds it, but is already new.

100.0 x 80.0 cm / 39.4 x 31.5 in. August 2022.

Mixed media (oil, sand) on canvas


Mountains of mountains

70.0 x 90.0 cm / 27.6 x 35.4 in. August 2022.

Oil on canvas


Day My Dreams

Do you remember the masterpiece by George Seurat “A Sunday Afternoon on the Island of La Grande Jatte”? The current story reminds it, but is already new.

Pointillism / divisionism technique

50.0 x 70.0 cm / 19.7 x 27.6 in. April 2022.

Oil on canvas


Emu Story 2

The spirits of aborigines prohibit the copying of any pictures already created. How to create if I have not even be in Australia? I listened to aboriginal Didgeridoo music, painted my face as aboriginals do, danced around the canvas like around the campfire… Just a little… My Emu tells one story coded by symbols.

70 x 70 cm / 27.6 x 27.6 in. March 2022.

Acrylics on canvas


Emu Story 1

The spirits of aborigines prohibit the copying of any pictures already created. How to create if I have not even be in Australia? I listened to aboriginal Didgeridoo music, painted my face as aboriginals do,  danced around the canvas like around the campfire… Just a little… My Emu tells one story coded by symbols.

70 x 70 cm / 27.6 x 27.6 in. March 2022.

Acrylics on canvas


Fashion spring. In the World of Manikins

Hommage à Andy Warhol.

32 x 45 cm / 12.6 x 17.7 in. February 2022.

Acrylics on photo image, offset paper


Mystery of Eucalyptus

I learned about Max Ernst’s creative sufferings and joy; frottage and invented by him grattage technique. Studying Ernst’s paintings, I dived deep into a mystery of his forests, the same I aimed to convey in my work. Frottage echoes the architecture of eucalyptus leaves: its actual shape, foliar network, and size. Soft colors of pastel and grass-like trees give some mystery to this work. 

32 x 45 cm / 12.6 x 17.7 in. February 2022.

Frottage, soft pastel, oil pencils on offset paper


A la “In the Studio”

This work follows the idea of Roy Lichtenstein’s “In the studio”, where he includes “ La Dance” by Matisse as wall decor. It catches the famous pop-art style. Primary colors, thick outlines, and my stencil-like painting bring the look and feel of the commercial printing process. My interpretation is based on the self-portrait of Tamara de Lempicka and the role of eucalyptus in cosmetology, showing the natural efforts of a modern woman to maintain beauty.

50.0 x 70.0 cm / 19.7 x 27.6 in. January 2022.

Mixed media on canvas: acrylics, oil


Bloom

Hommage à Jackson Pollock. While working on this painting, I learned about Jackson Pollock’s life and his drip technique. It typically involved pouring paints along with a stick onto a canvas lying horizontally on the floor (I did the same for a background). Further, I drew eucalyptus flowers, with each brushstroke seeking to get closer to them in real, to feel their aroma, to soar amid the magic tree crowns.

70 x 90 cm / 27.6 x 35.4 in. January 2022.

Mixed media on canvas


My Curly Head

Hommage à Odilon Redon.

50.0 x 70.0 cm / 19.7 x 27.6 in. December 2021.

Mixed media on canvas: acrylics, oil, real gold dust, relief forming gel


Rainbow Kiss

Hommage à Gustav Klimt. Rainbow eucalyptus (Eucalyptus deglupta) is a tropical species of eucalyptus, known by the characteristic trunk  with the colorful bark.

50.0 x 70.0 cm / 19.7 x 27.6 in. December 2021.

Mixed media on canvas: acrylics, real gold and malachite dust, relief gel


Thirsty Eucalyptus

Following Banksy’s style, the picture depicts environmental problem of these days. Ironically, people point fingers at an eucalyptus tree that “drinks too much water,” even though it’s its natural physiological need, but doesn’t realize (or do not want to face a fact) how much water they use for a variety of purposes and without any weighty purpose.

60 x 70 cm / 23.6 x 27.6 in. November 17, 2021.

Mixed media on canvas


Banned Eucalyptus. No!

This work represents a wall of an abandoned building with graffiti on it. Following Banksy’s style, it mimics the stencil technique and brings a satirical message about the latter-day environmental problem. the picture depicts planted-for-profit eucalyptus trees. Ironically, now these trees have become an environmental problem, “unnecessary” species, and even dangerous, as they “drink too much water”! People must take responsibility and think ahead while introducing new species in the uncommon areas. Pity, but only time for calculating profit seems to be valuable for businessmen… (google search “banned eucalyptus”).

50.0 x 70.0 cm / 19.7 x 27.6 in. November 11, 2021.

Mixed media on canvas


This is not a Self-Portrait

Hommage à Frida Kahlo.

50.0 x 70.0 cm / 19.7 x 27.6 in. November 2021

Oil on canvas


The landscape of the Ryūkyū islands

Reproduction of Katsushika Hokusai’s painting.

80 x 60 cm / 31.5 x 23.6 in. October 2021.

Acrylics on canvas


I’m free, living in the apartment

Hommage à Pablo Picasso. Cubism style.

50.0 x 70.0 cm / 19.7 x 27.6 in. September 2021

Oil on canvas


Still Life with Quince, Apples, and Pears

Reproduction of Paul Cezanne’s painting (ca. 1885-87). Current location of the original picture: The White House Historical Association, Washington, USA. Reproduction of original size.

34.5 x 34.5 cm / 13.6 x 13.6 in. June 2021

Oil on canvas


Re-Hydration

30.0 x 40.0 cm / 11.8 x 15.8 in. April 2021

Acrylics on cardboard


My Pencils

50.0 x 40.0 cm / 19.7 x 15.8 in. March 2021

Acrylics on cardboard


Parrot’s day

30.0 x 50.0 cm / 11.8 x 19.7 in. March 2020

Mixed media: acrylics and collage (eucalyptus leaves and bark) on canvas


The beginning of eucalyptus

40.0 x 40.0 cm / 15.8 x 15.8 in. February 2020.

Mixed media on cardboard: acrylics and collage (eucalyptus leaves and bark)


Eucalyptus Paradise

One of the first pictures in the Eucalyptus series. Île Sainte-Marguerite, island close to Cannes, France: wild Eucalyptus avenue, almost private sandy beach and diving.

60.0 x 80.0 cm / 23.6 x 31.5 in. October 2019

Mixed media on canvas: acrylics, collage (eucalyptus leaves and bark, photo-fragments)


Ceramics

50.0 x 45.0 cm / 19.7 x 17.7 in. October 2019

Acrylics on cardboard


New Mandarins

40 x 40 cm / 15.8 x 15.8 in. October 2019

Acrylics on cardboard


Before the rain

39.8 x 39.9cm / 15.7 x 15.7 in. October 2019

Acrylics on cardboard


Raw Winter

40.0 x 50.0 cm / 15.8 x 19.7 in. November 2019

Acrylics on canvas


Solo Symphony

Why do we draw crows in an art schools? There is the belief that a crow is an artist himself.

60.0 x 80.0 cm / 23.6 x 31.5 in. October 2019

Acrylics on canvas


Flowers in Music

Destroyed by the author for the reason to renew skills.

80.0 x 60.0 cm / 31.5 x 23.6 in. September 2019

Acrylics on canvas


Sunflower and a Ball

44.5 x 61.5 cm / 17.5 x 24.2 in. June 1995

Gouache, wattman paper


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